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results 21-40 of 74 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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21. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

22. [Bookplate for Nancy Stuart Reid] [Bookplate for Nancy Stuart Reid] In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'.

23. [Bookplate by Owen Staples] [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.

24. [Bookseller's Ticket for James Bain] [Bookseller's Ticket for James Bain] In black ink on white paper, the bookseller's ticket consists of a serpentine black border with decorative elements in the four corners surrounding black text in roman and italic type.

25. [Bookplate for Mechanics' Institute of Moodyville] [Bookplate for Mechanics' Institute of Moodyville] In black ink, a decorative border surrounds text printed in a variety of fonts and hand written notes. The paper is highly mottled, possibly the result of mold.

26. [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.

27. [Bookplate for John T. Metcalfe] [Bookplate for John T. Metcalfe] In black ink, this bookplate consists of a monogram within an oval bordure, which contains the text and two solid cross formy.

28. [Bookplate for Frank Marx Etting] [Bookplate for Frank Marx Etting] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a chevron, gules (red). On the chevron are three roundlets, argent. The escutcheon is bordered by mantling, and crested by a dexter cubit arm holding a sword. Impaled on the sword is a boar's head. The boar's head is said to represent unflinching courage and fierceness on the battlefield. In Irish literature, it was symbolic of aggression and savegery, and symbolized the Devil.

29. [Bookplate for Lionel Damer] [Bookplate for Lionel Damer] In black ink, this bookplate consists of an escutcheon, divided barry of six pieces, nebule, argent (silver) and gules (red), and a bend, engrailed, azure (blue). At the precise middle chief is a crescent, the symbol of the second son. The escutcheon also contains an inescutcheon, divided per cross. The first quadrant, argent, contains an unknown symbol, possibly a garbe, sable (black). The fourth quadrant, also argent, contains two of the same symbol. The second quadrant, divided per fess, or (gold) and azure (blue), contains two swans with wings displayed. The third quadrant is the same, except it contains only a single swan. The crest is an oval frame containing a talbot's head in a crown. Above the crest is floral mantling which extends down both sides of the escutcheon. Below the escutcheon is a banner containing the Latin motto.

30. [Bookplate for William Grattan] [Bookplate for William Grattan] In black ink, this bookplate consists of an escutcheon, quartered, within an azure (blue) bordure. The first and fourth quadrants are or (gold), and the second and third quadrants gules (red). At the precise middle chief is a crescent, a heraldic symbol representing the second son. The crest consists of a curved wreath and a falcon (or hawk) rising, wings addorsed and inverted, perched on what is possibly a falconers' arm sheath. The falcon's legs are jessed, and the dexter is raised, holding a sceptre. Below the escutcheon is a banner containing the Latin motto. The escutcheon, crest, and banner are surrounded by an oval frame, gules, with a decorative border.

31. [Bookplate for Cheswardine] [Bookplate for Cheswardine] In black ink, this bookplate consists of stylized initials in a symbol (possibly the letters 'D,' 'M,' and 'H'), surrounded by a border of stocks of wheat. At the base of the border is a banner with English motto within.

32. [Bookplate for Ferdinand I Czar of Bulgaria] [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner.

33. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.

34. [Bookplate for Jas. Beaty] [Bookplate for Jas. Beaty] In black ink. A decorative border with ornamentation in corners surrounds the text.

35. [Bookplate for Louis Berger by Rene de Brem] [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus.

36. [Bookplate for Thomas Jenings] [Bookplate for Thomas Jenings] In black ink. Argent, a chevron, gules (red), three cages two over one. Gryphon, couped, atop straight crest wreath, wings addorsed and elevated, cage hanging from open beak. On the dexter and sinister sides, two figures, nude, outside hands hold flowered mantling, inside hands point to chevron. Below the escutcheon is a banner containing the Latin motto.

37. [Bookplate for James Bryce Allan] [Bookplate for James Bryce Allan] In black ink. Escutcheon parted per bend, dancetty. Bordure, azure [blue]. Above field, argent [white] and ermine, a stag, gules [red], erased, antlers, or [gold], and an annulet, or. Below field, gules, a crescent. Helm has mantling around a tilting helmet on top of which is a curved crest wreath with a dog, erased. Below the escutcheon is a banner containing the Latin motto.

38. [Bookplate by Francis Adams Sc.] [Bookplate by Francis Adams Sc.] In black ink. Escutcheon parted per cross. First quarter, or, a lion, gules, rampant. Second quarter, argent, an arm embowed fessways holding an axe shaped like a cross formy. Third quarter, argent, a lymphad, sails furled, on water. Fourth quarter, argent, a fish on water. Shield supporters, two horse-like beasts with short tails, combatant. Helm, a diadem topped with a lion, couped. Below the escutcheon is a banner with mantling containing the Latin motto.

39. [Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel] [Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel] In brown ink, a sun radiates light over the background of the image from the top left corner. Included in the background is a crescent moon in the top right corner, an hourglass, in the lower left corner, and a compass in the lower right corner. In the foreground is a chaplet encircling a coat of arms. Atop the helm is a bird, possibly a falcon. The helm itself is front facing and grated (no significance in German heraldry). From either side of the helmet flow elaborate sprawls of mantling which curl down to the sides of the escucheon. The escucheon, in gules, (red) represented by lines drawn from chief to the base, is bordered in or (gold). Centered in the shield is a heavily bound book, with what appear to be latches to prevent unworthy eyes from reading its contents. From the top and bottom of the book flow a place marking ribbon.

40. [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx.
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